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Fuel For The Fire Attend The Riot by Underground Resistance - 12", US. 1991. Electronic/Techno, Acid Very Good (VG) Very Good (VG) - vinyl For Sale in Nottingham. - 1

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Videos of tracks ( 5)

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Underground Resistance - Micronaut+7 (1991)

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Underground Resistance - Micronaut+7 (1991)

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Underground Resistance - Mercury Berring-10 (1991)

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Underground Resistance - Mutiny+9 (1991)

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Underground Resistance - Warhead+6 (1991)

Fuel For The Fire Attend The Riot

Artist: Underground Resistance
Label: Underground Resistance
Format: 12"
Country: US
Released: 1991
Genre: Electronic
Style: Techno, Acid
Media: Very Good (VG)
Sleeve: Very Good (VG)

Tracklist (4 tracks)

Micronaut+7 A1
Mercury Berring-10 A2
Mutiny+9 B1
Warhead+6 B2

Fuel For The Fire Attend The Riot by Underground Resistance - Released: 1991

Vinyl professionally cleaned - - Faint hairlines & sleeve rub - Side A Has "Youngblood" written in pen - original sleeve shows age

Artist Profile - Underground Resistance

Underground Resistance is probably the most militantly political outcropping of second-wave Detroit techno. Combining a grubby, four-track aesthetic, an almost strictly DIY business philosophy, and an oppositional, militaristic ethos similar to Public Enemy without the drama (or the familiarity; the members refuse to be photographed without bandanas obscuring their identities), UR have redirected their portion of the Detroit techno legacy to social activist ends, trading mainstream popularity and financial success for independence and self-determination. Begun in the early '90s by Detroit second-wave trinity [a=Mike Banks], [a=Robert Hood] & [a=Jeff Mills], UR adapted the flavor and kick of early Detroit techno to the complex social, political, and economic circumstances in the wake of Reagan-era accelerated inner-city decline, and was formed as an outlet for uncompromising music geared toward awareness and change.

The early UR catalog is defined by a typically Detroit combination of Motown and Chicago soul, and ruthless, at times caustic lo-fi techno, acid, and electro (Mills' background is in, among other things, Chicago industrial and EBM-style electro-techno, with Banks and Hood both coming from a solid house and techno base). Much of the label's early output was the product of various permutations of Banks, Mills, and Hood, both solo and in combination, before Mills and Hood left UR in 1992 to pursue (and achieve) international success. Banks continued to operate UR in the wake of the split, releasing EPs such as "Return of Acid Rain," "Message to the Majors," and "Galaxy to Galaxy" under the UR banner, as well as 12-inches by increasingly renowned artists such as [a=Drexciya], [a=Suburban Knight] and [a=Scan 7]. The first actual full-length credited to Underground Resistance was 1998's Interstellar Fugitives. When the UR and [l=Submerge Recordings] Headquarters moved from 2030 Grand River to 3000 E Grand Blvd., the UR 'family' transformed again by assigning new members such as DJ 3000, S², [a=Aquanauts], Buzz Goree and most notably the live band [a=Los Hermanos].

Artist Images

Underground Resistance image for track Fuel For The Fire Attend The Riot 1

Underground Resistance image for track Fuel For The Fire Attend The Riot 2

Underground Resistance image for track Fuel For The Fire Attend The Riot 3

Vinyl Record available in Nottingham

Notes

Mastered at NSC (National Sound Corporation), Detroit.

Plays inside out.
Translucent vinyl copies exist.

Some pressings were sealed and sold as part of a double pack with red and blue generic sleeves together with [r=72273] (UR-010).

Companies

National Sound Corporation | Mastered At

Identifiers

Matrix / Runout: UR-012-SIDE A ☺IT'S BACK NSC NATIONAL SOUND-DETROIT UNDERGROUND RESISTANCE (Etchings side A)
Matrix / Runout: UR-012-SIDE B ☺IT'S BACK NSC NATIONAL SOUND-DETROIT UNDERGROUND RESISTANCE (Etchings side B)